On a recent visit on a lovely Friday afternoon to Kingston Gallery, Rose Olson’s paintings were still glowing. How these works are perceived is so dependent on the light, time of day and where one is in the space in relationship to the work.
This exhibition and the other two are up for one more week, through March 30. Congratulations are in order for Rose Olson, Haruyo Nakanishi and Susan Alport, as we have had many visitors and great response to the work. Something came to mind when looking at the Center Gallery’s Paper Dialogue. How do works of art, these mute objects, speak? And how do they speak to each other? The materials, color, forms, and technique are all elements that allow this to happen, but it is also the dialogue that can occur between the objects. That certainly is happening in the Gallery this month.
Two neighboring shows are very much worth mentioning, as they are stand out exhibitions in themselves and also are in dialogue (in this viewer’s opinion), both in terms of form and content, with Kingston Gallery. They are Catherine Kernan’s exhibition After Images: New Woodcut Monoprints at Soprafina Gallery and Ann Pibal’s Los Dos at Steven Zevitas Gallery.
A visit to 450 Harrison Avenue is in order — all these exhibitions are harbingers of spring, and are a powerful reminder that artworks made of paint, ink, wood, and paper act as mirrors: they reflect back, revealing us to ourselves.