In Case You Missed It: Greg Lookerse

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An aerial view of Greg Lookerse’s recent exhibition, Everything is God to Me and Everything is Dust to Me, at Kington Gallery.

Greg Lookerse‘s solo exhibition, Everything is God to Me and Everything is Dust to Me, at Kingston Gallery from December 2-27, concluded his experience as the gallery’s Emerging Artist in 2015. His exhibition demonstrated a compelling balance of craftsmanship and philosophical inquiry.

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Greg Lookerse at his performance,  when all the ice in the world melts maybe it will leave a beautiful mark, in conjunction with Kingston’s September 2015 exhibition, All Natural.

Inspired by books by Annie Dillard and Teilhard de Chardin, (find details on our website), Lookerse created a space where he regularly performed a ritual of teaching a stone to talk. Within the hexagonal structure, he papered the gallery floor with pages from Dillard’s book, Teaching a Stone to Talk. The gallery lights fell upon the pages layered in a grid so precisely arranged that it precluded any question of whether, by taking the book apart and putting the pages on the floor, he may mean any disrespect. Rather, the pages suggested an invitation to read the book in an alternative way, as though we may be able to enter the space to scan the entire text at once. Over time, the pages became covered in spatters of black ink, obscuring the words and providing visual traces suggesting the many times the artist lifted the stone from where it sat in a vat of ink. He also marked each attempt to teach the stone with small ticks on a calendar.

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Installation view, Everything is God to Me and Everything is Dust to Me, Kingston Gallery, December 2015.

Accompanying this arrangement was a series of altar stones (stones carved to contain a mixture of charcoal and raw honey), displayed in glass cloches. To provide further background into his thoughts, Lookerse’s artist statement is also in this post.

Ambitious, thoughtful, and talented, Greg often provided a voice of calm clarity among the membership. We wish him the very best in his promising career.

Artist Statement

Everything is God to Me and Everything is Dust to Me

My work is always inspired by literature. As an avid reader I often find the need to explore the author’s ideas in a less narrative and more visual manner.

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Altar Stone, 2015, stone, charcoal, raw honey, glass cloche

This series of sculptures and durational performance space form a body of work that continues my practice of contemplating literature.
Teilhard de Chardin wrote, “Everything is God to me; everything is dust to me…” in his book The Divine Miliue. As the driving concept behind this body of work the paradoxical notions of faith and doubt collide. To the devoted theologian a rock with black honey may stand for a symbol of a god’s providence, a miracle, or perhaps a god itself. To the skeptic it is just a stone with honey in it.

The most fascinating part of this dichotomy is that both views find meaning in the stones; whether because of a transcendent interpretation or because of an aesthetic transformation.
In a similar narrative, author Annie Dillard describes a man living on an island who keeps a small stone under a piece of leather on a shelf. When he is alone he performs a ritual to teach the stone to talk. In her book Teaching A Stone to Talk she reflects upon this ritual:

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Altar Stone, 2015, stone, charcoal, raw honey, glass cloche


“I assume that like any other meaningful effort, the ritual involves sacrifice, the suppression of self-consciousness, and a certain precise tilt of the will, so that the will becomes transparent and hollow, a channel for the work. I wish him well. It is a noble work, and beats, from any angle, selling shoes.”

Perhaps materials and items hold transcendent meaning. Perhaps they are simply things human beings can mold or shape. Either way, the actions and rituals we perform with these objects changes us and our perceptions of them. The cell is ready for me to enter and the materials are waiting.

-Greg Lookerse, 2015

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Alter Stones, 2015, stone, charcoal, raw honey, glass cloches.

Studio Visit with Luanne Witkowski

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Luanne Witkowski in her studio

This month marked the end of Lucky Li’s internship at Kingston Gallery. In addition to assisting with marketing, social media, and other duties, she accompanied me on studio visits. I’m very pleased that Lucky will remain with us as one of Kingston’s part-time gallery sitters. Here’s her description of the last studio visit we made together:

 

Recently I accompanied Shana Dumont Garr on a visit to Luanne E. Witkowski’s studio in the SoWa district. She graciously welcomed us and showed us her past and current work while sharing stories as she did so, giving us insight into the evolution of her process over time.

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Detail of artwork by Luanne Witkowski, inspired by and responding to landscape.

Early on in the visit I noted Witkowski’s astute take on how others react to her art. She explained that her work often tends to evoke stories from people. Similar to the way she visually expresses a memory with her art, viewers come to her with verbal memories of their own that were evoked by her artwork. The stories others share with her seem to delight and inspire her, and she shared a few with us. One came from a man who said the piece he enjoyed the most was the one with the large fish in it, and proceeded to show her which work he was referring to. He said it reminded him of an anaconda he saw on vacation once. Witkowski didn’t intend to depict any animals in that particular work, but she enjoyed the man’s vivid description, and even changed the name of the work to reflect the story.

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A display of recent work by Luanne Witkowski in her studio.

One of the things that struck me the most about her from our visit was Witkowski’s passion for connecting with individuals and with her communities she is a part of. She is an active member of several local artist organizations including the United South End Artists, Mission Hill Artist Collective, and the Provincetown Art Association and Museum. She also offers Basic Training for Artists and Creative People Workshops (Healthy Artist/Healthy Studio) for institutions and individuals.

It is unsurprising that Witkowski is well-respected within her communities for presenting opportunities and skillfully advising those who express passion and potential in their work and personal character. She is an entrepreneur with a history of making opportunities for herself that started when she was young. She sees her responsibility as an artist being about filling the world with art, and supporting fellow artists. As she carries out these responsibilities, she helps others do the same. Always working with a larger vision in mind, her work is done with the interest of bringing the world to her art, and bringing her art to the world.

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A view of Witkowski’s studio, including past series and a work in progress.

Gallery Artists’ News

The second half of 2014 was as busy as the first for Kingston Gallery’s artists! We are happy to share what our artists have been up to:

Ilona Anderson currently has work in Imaginal/Imagining The World (organized by Deborah Davidson, Suffolk University Gallery Director) at the Adams Gallery, Suffolk Law School. The exhibition runs through January 25.

Kathleen Gerdon Archer was a finalist for the Photolucida Critical Mass awards. Photolucida is an arts nonprofit based in Portland, Oregon whose mission is to provide platforms that expand, inspire, educate and connect the regional, national, and international photography community.

Linda Leslie Brown Co-Host Ceramic, metal, plastic, paper clay 13 x 9 x 9 inches 2013

Linda Leslie Brown — Co-Host, ceramic, metal, plastic, paper clay, 13 x 9 x 9″, 2013

Linda Leslie Brown has been awarded a 2015 Traveling Fellowship from the School of the Museum of Fine Arts, Boston. She had a new environmental work in copper wire and crystal, Indra’s Drala Net, installed as part of the Kingstown RI Land Trust Sculpture Trail, and she currently has work in Imaginal/Imagining the World Imaginal/Imagining The World at the Adams Gallery, Suffolk Law School. (See Ilona Anderson, above, for full details).

Judith Brassard Brown’s painting, Frontline, was purchased by NYU’s School of Professional Studies in New York, NY. She had work in the group exhibit Faculty and Students of Montserrat College of Art and Endicott College at the Rocky Neck Cultural Center, Gloucester, MA during the month of October, and also during October she exhibited work at New England BioLabs in Ipswich, MA.

Mary Bucci McCoy is now represented by Gray Contemporary in Houston, TX and CG2 Gallery in Nashville, TN. Her work was included in an exhibition of work by gallery artists, Aloe Vera, at Gray Contemporary in August and also was featured in a two-person show with the British painter Erin Lawlor, Long Loud Silence, in September and October at the gallery. Reconfiguring Abstraction: Lisa Russell and Mary Bucci McCoy was on view at the FPAC Gallery in South Boston in August and September. Mary was the Visiting Critic for the fall semester at Montserrat College of Art’s Senior Fine Arts Seminar. She has work in a group exhibition of work by gallery artists at Gray Contemporary, Houston, TX through January 17.

Conny Goelz-Schmitt had work in Bibliophilia at Nave Gallery Annex, Somerville, MA during the month of October. Also during October Conny also had work in Time Travelers at Cambridge Arts Association, Kathryn Schultz Gallery, Cambridge.

Julie S Graham had work in the Salon Show at the Clark Gallery, Lincoln, MA in November–December.

 the space between, hand embroidery on re-appropriated linen, 50 x 72", 2012

Joetta Maue — the space between, hand embroidery on re-appropriated linen, 50 x 72″, 2012

New member Joetta Maue spoke at the event With Thread in Hand, a program celebrating the historic and vital art of embroidery, at The Atwood House Museum in Chatham, MA in November. Also in November Joetta had work in Narcissism and The Self-Portrait at the Ann Street Gallery in Newburgh, NY. She had work in The Personal is Political, at the Slater Concourse Gallery, Aidekman Arts Center, Tufts University, Medford, MA in November and December. Joetta gave an informal talk within the context of the exhibition Vessels at the Nave Gallery Annex in Davis Square in December.

Jennifer Moses was an artist in residence at Yaddo, Saratoga Springs, NY for the month of July. She had work in the summer-long exhibition Surface, Strokes and Light, a group exhibition of of contemporary painters and sculptors at Kelly Roy Gallery. Broadsided Press displayed a collaboration between Moses and poet Annie Finch on the Cape Cod Public Bus Transit in the summer through September.

Rose Olson had work in Postscript: A Selection of Work from the Gallery Artists and the Director’s Collection at Hutson Gallery, Provincetown, MA in September and October . She had a group of small works on display in October at Susan Maasch Fine Art, Portland, ME, and currently has work on display there in Gallery Artists: Group Exhibition at Susan Maasch Fine Art, through February.

Christina Pitsch — Flora of Fauna Porcelain 21” x 21” x 5” 2013 [photo: Millyard Studios]

Christina Pitsch — Flora of Fauna, porcelain, 21” x 21” x 5”, 2013
[photo: Millyard Studios]

New member Christina Pitsch has work in Beasticon II at Mark MIller Gallery, 92 Orchard Street, New York, NY. The exhibition runs through January 15.

Lynda Schlosberg is guest juror for Chroma, a national juried exhibition of work on hue, saturation and value at Gallery 263 in Cambridge, MA. The exhibition will run January 15 – February 14, 2015. She has work in Gallery Artists: Group Exhibition at Susan Maasch Fine Art, Portland, ME through February.

Elif Soyer had work in the annual exhibition Ekim Gecidi (The Passage of October) at the Canakkale Museum of Ceramics in Canakkale, Turkey in October and November.

Ann Wessmann had work in the group show Earth to Heaven at Spoke Gallery @ Medicine Wheel Productions, South Boston from September to November.

Luanne E Witkowski’s works on paper and selected paintings were featured at Hutson Gallery, Provincetown, MA during the summer and she had work on display there in Postscript: A Selection of Work from the Gallery Artists and the Director’s Collection in September and October. She also had work in Trans-Alternate: artists, social practitioners, and voices seldom heard from Nepal: Art and Social Practice – Call and Response at Godine Family Gallery, Mass. College of Art and Design, Boston, MA in October.

 

Kingston Gallery Artist News

Kingston Gallery artists have had a busy first half of 2014:

Stacey Alickman — Lost Year, oil on canvas, 48 x 42", 2014

Stacey Alickman — Lost Year, oil on canvas, 48 x 42″, 2014

Stacey Alickman received the 2014 Blanche E. Colman Award.

Ilona Anderson has work in Pipe Dreams, Wishful Thinking, Grand Gestures & Dirty Lies at ASC project space, 526 West 26th Street, Room 304, New York, NY through July 15. Ilona also has work in the group exhibition As | Orchard opening July 31, Lower East Side, NY.

Kathleen Gerdon Archer and Barbara Moody were named Co-directors of Kingston Gallery for 2014. Kathleen Gerdon Archer and Conny Goelz-Schmitt both had work in the group exhibition Synchronicity at the Associazione Culturale Rosa Venerini (ACRV) in Viterbo, Italy from June 27 – July 6. They spent the month of June at the Associazione Culturale Rosa Venerini (ACRV) Residency Program.

Judith Brassard Brown is exhibited in The Power of Suggestion at Gallery Alpers Fine Art in Andover, MA from January 15 – March 22. For more information visit www.alpersfineartonline.com. Judith is now also represented by Art in Giving, www.artingiving.com. This non-profit organization provides a creative way to raise funds for research for the prevention and cure of childhood cancer.

Linda Leslie Brown and Luanne E Witkowski both had work in a group show at AMP: Art Market Provincetown, 148 Commercial Street, which runs June 25 – July 9.

Mary Bucci McCoy was interviewed by the 365 Artists 365 Days project.

Mira Cantor is teaching at the Burren College of Art in Ireland during the month of July.

Julie Graham was in the group show Small Works at the Ruth Bachofner Gallery in Santa Monica, CA, November 30, 2013 – January 11, 2014. She also had a solo show Topoanalysis at the Carol Schlosberg Alumni Gallery at Montserrat College, Beverly, MA, May 28 – June 27.

Mary Lang’s had a one-person retrospective exhibit, Like Water, at the Trustman Gallery at Simmons College, March 17 – April 17. The exhibition was reviewed by Mark Feeney in the Boston Globe.

Barbara Moody taught a new studio intensive course entitled Expressive Interpretations of the Landscape, at Montserrat College of Art in Beverly, MA in both January and July. She exhibited her photo-collages March 17 – May 7 in a three-person exhibition at the Albright Gallery, in Concord, MA. And she and Ann Wessman both have work in Dreaming Gardens at Suffolk University Gallery, 75 Arlington Street, Boston, MA, which runs June 10 – August 22, curated by Deborah Davidson.

Jennifer Moses showed her work in a group exhibition of 12×12 paintings at the Oxbow Gallery in North Hampton, MA, December 5, 2013 – January 5, 2014. She has work in the summer long exhibit Surface, Strokes and Light, a group exhibition of of contemporary painters and sculptors at Kelly Roy Gallery. Broadsided Press is displaying a collaboration between Moses and poet Annie Finch on the Cape Cod Public Bus Transit through September. Jennifer is also an artist in residence at Yaddo, Saratoga Springs, NY for the month of July.

Rose Olson will be featured at Hutson Gallery, 432 Commercial Street in Provincetown, July 25 – August 7. She also has work in Danforth Art Museum’s Community of Artists Annual Juried Exhibition, which runs June 8 – August 3.

Lynda Schlosberg had a solo exhibition Field of Potentiality in the Spencer Presentation Gallery at the Walter J. Manninen Center for the Arts, Endicott College, Beverly, MA, January 28 – March 20. She was the featured gallery artist at Susan Maasch Fine Art in Portland, ME for the month of March. And her work was included in Painting Intricacies, curated by Resa Blatman at Nave Annex Gallery in Somerville, MA, April 18.

Luanne E Witkowski’s mixed media works were included in a group exhibition in the President’s Gallery, Massachusetts College of Art and Design, December 9, 2013 – January 23, 2014.

Sharing news from our members

We want to share this news from Kingston Gallery member Julie Graham:

Julie Graham will hold a Public Gallery Talk on Tuesday, June 24 at 4:30 pmon her current exhibit Topoanalysis in our Carol Schlosberg Alumni Gallery at 23 Essex Street, Beverly, MA. Her show will remain on view: May 28 – June 27, 2014. Learn more here: montserrat.edu/galleries/schlosberg

http://www.montserrat.edu/blog/continuing-education/julie-graham-gallery-talk-june-24/