This month marked the end of Lucky Li’s internship at Kingston Gallery. In addition to assisting with marketing, social media, and other duties, she accompanied me on studio visits. I’m very pleased that Lucky will remain with us as one of Kingston’s part-time gallery sitters. Here’s her description of the last studio visit we made together:
Recently I accompanied Shana Dumont Garr on a visit to Luanne E. Witkowski’s studio in the SoWa district. She graciously welcomed us and showed us her past and current work while sharing stories as she did so, giving us insight into the evolution of her process over time.
Early on in the visit I noted Witkowski’s astute take on how others react to her art. She explained that her work often tends to evoke stories from people. Similar to the way she visually expresses a memory with her art, viewers come to her with verbal memories of their own that were evoked by her artwork. The stories others share with her seem to delight and inspire her, and she shared a few with us. One came from a man who said the piece he enjoyed the most was the one with the large fish in it, and proceeded to show her which work he was referring to. He said it reminded him of an anaconda he saw on vacation once. Witkowski didn’t intend to depict any animals in that particular work, but she enjoyed the man’s vivid description, and even changed the name of the work to reflect the story.
One of the things that struck me the most about her from our visit was Witkowski’s passion for connecting with individuals and with her communities she is a part of. She is an active member of several local artist organizations including the United South End Artists, Mission Hill Artist Collective, and the Provincetown Art Association and Museum. She also offers Basic Training for Artists and Creative People Workshops (Healthy Artist/Healthy Studio) for institutions and individuals.
It is unsurprising that Witkowski is well-respected within her communities for presenting opportunities and skillfully advising those who express passion and potential in their work and personal character. She is an entrepreneur with a history of making opportunities for herself that started when she was young. She sees her responsibility as an artist being about filling the world with art, and supporting fellow artists. As she carries out these responsibilities, she helps others do the same. Always working with a larger vision in mind, her work is done with the interest of bringing the world to her art, and bringing her art to the world.
The second half of 2014 was as busy as the first for Kingston Gallery’s artists! We are happy to share what our artists have been up to:
Ilona Anderson currently has work in Imaginal/Imagining The World (organized by Deborah Davidson, Suffolk University Gallery Director) at the Adams Gallery, Suffolk Law School. The exhibition runs through January 25.
Kathleen Gerdon Archer was a finalist for the Photolucida Critical Mass awards. Photolucida is an arts nonprofit based in Portland, Oregon whose mission is to provide platforms that expand, inspire, educate and connect the regional, national, and international photography community.
Linda Leslie Brown has been awarded a 2015 Traveling Fellowship from the School of the Museum of Fine Arts, Boston. She had a new environmental work in copper wire and crystal, Indra’s Drala Net, installed as part of the Kingstown RI Land Trust Sculpture Trail, and she currently has work in Imaginal/Imagining the WorldImaginal/Imagining The World at the Adams Gallery, Suffolk Law School. (See Ilona Anderson, above, for full details).
Judith Brassard Brown’s painting, Frontline, was purchased by NYU’s School of Professional Studies in New York, NY. She had work in the group exhibit Faculty and Students of Montserrat College of Art and Endicott College at the Rocky Neck Cultural Center, Gloucester, MA during the month of October, and also during October she exhibited work at New England BioLabs in Ipswich, MA.
Mary Bucci McCoy is now represented by Gray Contemporary in Houston, TX and CG2 Gallery in Nashville, TN. Her work was included in an exhibition of work by gallery artists, Aloe Vera, at Gray Contemporary in August and also was featured in a two-person show with the British painter Erin Lawlor, Long Loud Silence, in September and October at the gallery. Reconfiguring Abstraction: Lisa Russell and Mary Bucci McCoy was on view at the FPAC Gallery in South Boston in August and September. Mary was the Visiting Critic for the fall semester at Montserrat College of Art’s Senior Fine Arts Seminar. She has work in a group exhibition of work by gallery artists at Gray Contemporary, Houston, TX through January 17.
Conny Goelz-Schmitt had work in Bibliophilia at Nave Gallery Annex, Somerville, MA during the month of October. Also during October Conny also had work in Time Travelers at Cambridge Arts Association, Kathryn Schultz Gallery, Cambridge.
Julie S Graham had work in the Salon Show at the Clark Gallery, Lincoln, MA in November–December.
New member Joetta Maue spoke at the event With Thread in Hand, a program celebrating the historic and vital art of embroidery, at The Atwood House Museum in Chatham, MA in November. Also in November Joetta had work in Narcissism and The Self-Portrait at the Ann Street Gallery in Newburgh, NY. She had work in The Personal is Political, at the Slater Concourse Gallery, Aidekman Arts Center, Tufts University, Medford, MA in November and December. Joetta gave an informal talk within the context of the exhibition Vessels at the Nave Gallery Annex in Davis Square in December.
Jennifer Moses was an artist in residence at Yaddo, Saratoga Springs, NY for the month of July. She had work in the summer-long exhibition Surface, Strokes and Light, a group exhibition of of contemporary painters and sculptors at Kelly Roy Gallery. Broadsided Press displayed a collaboration between Moses and poet Annie Finch on the Cape Cod Public Bus Transit in the summer through September.
Rose Olson had work in Postscript: A Selection of Work from the Gallery Artists and the Director’s Collection at Hutson Gallery, Provincetown, MA in September and October . She had a group of small works on display in October at Susan Maasch Fine Art, Portland, ME, and currently has work on display there in Gallery Artists: Group Exhibition at Susan Maasch Fine Art, through February.
New member Christina Pitsch has work in Beasticon II at Mark MIller Gallery, 92 Orchard Street, New York, NY. The exhibition runs through January 15.
Lynda Schlosberg is guest juror for Chroma, a national juried exhibition of work on hue, saturation and value at Gallery 263 in Cambridge, MA. The exhibition will run January 15 – February 14, 2015. She has work in Gallery Artists: Group Exhibition at Susan Maasch Fine Art, Portland, ME through February.
Elif Soyer had work in the annual exhibition Ekim Gecidi (The Passage of October) at the Canakkale Museum of Ceramics in Canakkale, Turkey in October and November.
Luanne E Witkowski’s works on paper and selected paintings were featured at Hutson Gallery, Provincetown, MA during the summer and she had work on display there in Postscript: A Selection of Work from the Gallery Artists and the Director’s Collection in September and October. She also had work in Trans-Alternate: artists, social practitioners, and voices seldom heard from Nepal: Art and Social Practice – Call and Response at Godine Family Gallery, Mass. College of Art and Design, Boston, MA in October.
Ilona Anderson has work in Pipe Dreams, Wishful Thinking, Grand Gestures & Dirty Lies at ASC project space, 526 West 26th Street, Room 304, New York, NY through July 15. Ilona also has work in the group exhibition As | Orchard opening July 31, Lower East Side, NY.
Kathleen Gerdon Archer and Barbara Moody were named Co-directors of Kingston Gallery for 2014. Kathleen Gerdon Archer and Conny Goelz-Schmitt both had work in the group exhibition Synchronicity at the Associazione Culturale Rosa Venerini (ACRV) in Viterbo, Italy from June 27 – July 6. They spent the month of June at the Associazione Culturale Rosa Venerini (ACRV) Residency Program.
Barbara Moody taught a new studio intensive course entitled Expressive Interpretations of the Landscape, at Montserrat College of Art in Beverly, MA in both January and July. She exhibited her photo-collages March 17 – May 7 in a three-person exhibition at the Albright Gallery, in Concord, MA. And she and Ann Wessman both have work in Dreaming Gardens at Suffolk University Gallery, 75 Arlington Street, Boston, MA, which runs June 10 – August 22, curated by Deborah Davidson.
Jennifer Moses showed her work in a group exhibition of 12×12 paintings at the Oxbow Gallery in North Hampton, MA, December 5, 2013 – January 5, 2014. She has work in the summer long exhibit Surface, Strokes and Light, a group exhibition of of contemporary painters and sculptors at Kelly Roy Gallery. Broadsided Press is displaying a collaboration between Moses and poet Annie Finch on the Cape Cod Public Bus Transit through September. Jennifer is also an artist in residence at Yaddo, Saratoga Springs, NY for the month of July.
Rose Olson will be featured at Hutson Gallery, 432 Commercial Street in Provincetown, July 25 – August 7. She also has work in Danforth Art Museum’sCommunity of Artists Annual Juried Exhibition, which runs June 8 – August 3.
Lynda Schlosberg had a solo exhibition Field of Potentiality in the Spencer Presentation Gallery at the Walter J. Manninen Center for the Arts, Endicott College, Beverly, MA, January 28 – March 20. She was the featured gallery artist at Susan Maasch Fine Art in Portland, ME for the month of March. And her work was included in Painting Intricacies, curated by Resa Blatman at Nave Annex Gallery in Somerville, MA, April 18.
Luanne E Witkowski’s mixed media works were included in a group exhibition in the President’s Gallery, Massachusetts College of Art and Design, December 9, 2013 – January 23, 2014.
This is the last week to check out the three exhibits at the Kingston Gallery: Luanne E Witkowski: IV, Thoreau inspired landscape collages, Mary Mead: Heads, images started in 2001 when she began making prints, and Susan Alport: Give/Take, a continuation of her intriguing project inspired by the “The Gift” by Lewis Hyde. All three have been received well and complement each other in the spaces of the gallery – something that often happens with the shows here.
Image: Mary Mead, from the “Head” Series, woodcut intaglio monoprint, 30 x 22 inches, 2013.
Please join us for a special artist’s reception, Friday January 24, celebrating Luanne E Witkowski’s exhibit IV from 5:30 – 7:30 p.m. The weather will be fine and it will be a great chance to see the exhibit and join in the festivities. Also showing are Mary Mead (Heads) and Susan Alport (Give/Take). We look forward to seeing you there!!
“Our truest life is when we are in dreams awake.” Henry David Thoreau
It seems I often begin my blogs with a comment about the weather, but in this case, coming out of the pouring rain this past Tuesday and entering the gallery filled with the repeated glowing blue of Luanne Witkowski’s current show is apt. Witkowski has positioned a quote from Thoreau at the gallery desk and it resounds throughout the work. In her mixed media pieces here, she embraces this ideal and expresses her deep love and identification with the landscape, specifically the strong connections she feels with Cape Cod, Maine and Nova Scotia. Luanne derives her imagery from a specific locale, but she strives for something more universal; the paintings are an abstraction of that place. She absorbs the place and brings it into the work. She is interested in a perceptual and spiritual relationship with the environment; she seeks solace and aims to echo that in each one of the collages. As one scans the gallery, the works evoke the essence of a particular place, not its depiction. They rhyme with each other, the passages of blue resound throughout the space of the gallery. Clearly, Luanne has spent much time in these places. By using a variety of media including an unmediated photographic element, she invites us to dream with her and to find our own solace.
Image: Luanne E Witkowski, Swept. Mixed media on paper, 15 x 11 inches, 2013.
The three exhibits up this month: Mira Cantor: Meltwater, Carmelo Midili: Fragments and Mary Lang: Inhabitants will be on view through Sunday, December 29. Gallery hours are Wed–Sun 12–5. In addition there will be special Public Relations hours with Deborah Davidson on Tuesday, December 24, 2–4 p.m. NOTE: the gallery will be closed Wednesday, December 25.
We will usher in the New Year with Luanne E Witkowski’s exhibit IV, Mary Mead: Heads: New Prints and Susan Alport: Give/Take opening January 2. We look forward to seeing you at the First Friday reception on January 3!!